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I turbamenti di un adolescente dal futuro eclatante, le terribili emicranie che la tormentano dall'infanzia, il sogno di avere un nasino alla Brigitte Bardot, le depressioni violente per la fine dei legami, quel continuo e incessante dolore da dentro, preludio e giustificazione alla estremizzazione e scarnificazione nelle sue famose performance artistiche, segni inconfondibili di una fragile creatura sempre alla ricerca di amore e calore. Interpreti: Marina Abramović, Ivan Civić, Amanda Coogan, Willem Defoe, Andrew Gilchrist, Antony, Elke Luyten, Christoper Nell, Kira O'Reilly, Antony Rizzi, Carlos Soto, Svetlana Spaijć e il suo gruppo Minja Nikolić, Zorana Bantić, Dragana Tomić.

Indeed, aficionados of Wilson's work will find plenty of his tropes used to excellent effect here, from the precise and constantly shifting lighting that includes a row of fluorescent tubes at the edge of the stage to the heavy makeup reminiscent of that from kabuki theater to the miniature secondary stage, set in front of the proscenium, from which Dafoe does much of his work of moving the story along.

Both have used duration to upend spectators' expectations and perception of time.

Both know how to create a perfect tableau within the shifting fabric of performance.

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